With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s. Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether. During the s and s, Gibson began reinstalling the pickguard in the factory, and the Les Pauls from this era once again arrived in stores bearing the classic, creme-colored pickguard. The Les Paul Traditional comes equipped with a period-correct pickguard, designed to protect the maple top. Neck – ’57 Classic; Bridge – Super ’57 Among the qualities that make Gibson’s original “Patent Applied For” humbucking pickups so unique are the subtle variations between coil windings.
Norlin ID / 1976 Gibson serial numbers
Well known users “With a balanced low-impedance output, you could use long cables without all the problems inherent in unbalanced high-impedance lines. Gibson was keen on having the low-impedance transformer close to the amp, so we made a special cable with a transformer on the other end, which you had to have in order to use it. But if you forgot your cable, you were out of luck—so we added the switch to go from low to high impedance. One position on the Les Paul Bass was meant to sound just like the Precision, and all the other settings were extra choices for the player.
The Triumph sounded so good it was scary; it was the finest bass I knew how to come up with, but the kids of that time were not ready for so many options. If I could have done something different, I would have made a bass with one great sound.
Gibson Les Paul Custom Studio. If one guitar in the Gibson lineup optimizes a marriage of old and new, the Les Paul Custom Studio may be the most perfect example. Outwardly, its classic lines hew closely to the family tree.
He bought it new in I really feel like a guitar should be played and should have a life and not just look good. These guitars had a few interesting characteristics like no channel rout and a blend knob instead of a tone knob. The blend disappeared around Plus, you get flathead screws all the way around, including the truss rod! This example is one of the lightest Broadcaster guitars I have ever played.
I am lucky to own it, and is one of my cherished Fender guitars in my collection. It still has the original receipt and pictures of the original owner. It has been in many books, and is widely considered one of the very first if not the first black Stratocaster guitars ever made. He was responsible for some of the greatest country-tinged folk-rock of the s and s.
Gibson LP Classic vs Standard
The ES was introduced in Gibson hired Ted McCarty in , who became President in He led an expansion of the guitar line with new guitars such as the “Les Paul” guitar introduced in and designed by Les Paul , a popular musician in the s and also a pioneer in music technology. Later, a shorter neck was added.
Gibson dating les paul However, the Les Paul Standard model was not produced between 19 (it was officially reintroduced in ). The Gibson Les Paul Deluxe, which was nearly identical to the Standard with the exception of mini-humbucker pickups, was produced during this time.
In many cases, these Japanese Fenders and Gibsons are of higher build quality, finish and tone than the US made versions. The Japanese models usually had a long tenon like the LP’s, and are not weight relieved, the US Standard version did not have a long tenon and is weight relieved. These are rare, and the ObG Reissue solid flametops are even rarer.
There were also a number of limited run series made for large Japanese guitar shops, such as Yamano, these can be spotted by the lack of a pickguard hole as they were ordered with the pickguards off, and are sometimes, but not always, solid flame tops, and one very limited run features solid Flametops, and a one piece back. Most of the ObG flametops are laminate, but there are some solid flametop guitars, these are extremely rare.
There are some LPQ solid quilted models but again very rare. There were no Orville by Gibson Photo-flame tops. Orville by Gibson’s used the premium wood available to the luthiers.
Gibson Les Paul Triumph bass
With all the fat, sweet, snarling Les Paul tone that purists love, the new Gibson Les Paul Standard Traditional Pro II sports a mahogany body with a thick maple cap for the perfect blend of warmth and clarity. The top is finished in high-gloss lacquer, while the back, sides, and neck have a smooth satin finish that feels great and lets the wood resonate fully. Period-Correct Pickguard The creme-colored pickguard has been a Les Paul staple dating back to the models of the late s and the early s.
Many players, however, removed the pickguard from their Les Pauls to show off the beauty of the flame maple tops, prompting Gibson to stop installing the pickguard altogether.
Another resource for IDing and dating guitars is Gibson’s computer database, which catalogues scores of serial numbers from on through the present. “It doesn’t always date the guitar,” says Davidson.
One-piece mahogany neck with two little separate wings to form the holly shaped headstock throughout this category. Center seamed maple top throughout. One-piece mahogany back throughout. Approximately around serial number xxx in early , a sixteenth of an inch laminate of maple appears ABOVE the standard depth 1pc mahogany back. It is very difficult to see, but can be observed in the neck pickup cavities of Customs and Standards alike.
This is the mysterious “cross-banded layer”. One of the first to have it, here is an image of a xxx guitar with a small headstock, dotted “i”, and a style cavity: The long tenon is commonly considered the superior technique for attaching a neck. These examples bring the most money and are accurate to specs. Although, ‘s guitars have a rounded tenon end vs.
This is an era that most “experts” think is notorious for designing, manufacturing and selling bad Gibson guitars. Was it made in to the early s? Do you know how to read the serial number? If you are not sure, let me know or click here: All picked up for a song.
From vintage classics to contemporary models, the Gibson Les Paul Standard electric guitar appeals to musicians of all genres and ability levels. When you shop on eBay for a Les Paul Standard, you can choose from recent models as well as special-edition models dating all the way back to the s.
Set neck, one-piece mahogany maple from Rosewood fingerboard with trapezoid inlays Controls Two volume, two tone, three-way pickup selector switch Finishes Gold top with natural mahogany back and sides , ; Cherry Sunburst ; Natural, Dark Sunburst, Wine Red, from ; Ebony from The Gibson Les Paul Standard, was actually first produced as the ‘Les Paul Model’ from It only gained the ‘Standard’ suffix in , to differentiate it from other models produced at the same time. Initially it was fitted with P90 single coil pickups, though these were replaced by Gibson humbuckers in Les Paul was a phenomenal guitarist, as well as inventor and studio recording innovator, and although he certainly helped develop the guitar bearing his name, the patent lists Gibson president Ted McCarty as inventor.
The guitar was under development between and , being launched in the middle of It was Gibson’s first solid body guitar; a response to public demand and to Fender’s Esquire and Broadcaster models. McCarty was not fan of the Fender models, and decided to create a far superior guitar, unmatchable by Fender. It would have less harshness thanks to a mahogany body and set neck, but with the sustain provided by maple.
This was famously accomplished by adding a carved Michigan maple top to the slab Honduras mahogany body. Les Paul made a deal with Gibson to promote the Les Paul. He would get paid a commission for every guitar sold, but would also not be seen using guitars by other makers: As the s dawned, the Les Paul was redesigned; it basically morphed into the new SG series , with the name soon being dropped in favour of ‘SG’.
The 2011 LP Traditional (Standard?) Faded Mega-Thread
Purchase this downloadable software and start using it today. Flexible Financing We made it easier than ever for you to get the gear you need right away. Learn More Opens in new window Free Shipping Most orders qualify for free ground shipping to anywhere in the contiguous U. Learn More Opens in new window Ships Internationally This product qualifies for international shipping to over countries worldwide.
Early Les Paul Standard This is the first of three major categories for late sixties Les Pauls. As we progress through these three sections, the construction of the guitars will get further and further away from the ‘s style (and will decrease in value).
Epiphone Les Paul Epiphone Les Paul Dating back to and once a major rival of Gibson, the Epiphone company and brand were purchased by Gibson’s parent company in Originally the Epiphone models were made in the same factory as the Gibson guitars, by the same craftspeople using the same materials and often with the same features as Gibson models, but manufacturing of most of the Epiphone instruments was switched to Asia sometime around Today, Gibson primarily uses the Epiphone brand as their high value, lower priced overseas-built alternative to their top tier Gibson USA models.
All Epiphone models sold in the United States are subjected to a 15 point inspection process, and are “set up” in the USA by trained Gibson employees at their Nashville facility. Around , Les Paul, a legendary musician and musical electronics and solidbody guitar pioneer, created one of his early solid bodied guitars after-hours in the Epiphone factory out of a 4X4″ piece of wood.
On to this he later attached side “wings” from a Epiphone hollowbody guitar in order to give it a more conventional look. This guitar, known as “The Log”, was later shown to Gibson executives, who initially passed on the idea of building them, but they changed their mind within a couple of years and the Les Paul Model guitar as we know it today was first released in These early “gold top” models were later joined by the black Les Paul Customs, and then the sunburst “Standards” of the late s.
Several Epiphone Les Paul models are very close to the classic Gibson models upon which they are based, while other models are designed with different features to keep the entry price low for students and budget-minded players. For example, some Epiphone Les Paul models use bolt-on neck construction and “slab” bodies which are generally less expensive to manufacture, while others stick with tradition and have arched maple tops and glued-in necks like their high-end Gibson counterparts.
At the mid and upper range of the Epiphone Les Paul range, most guitars retain practically all of the other essential Les Paul features — two humbucking or P90 single coil pickups, two volume and two tone controls, a three-way selector switch, body and neck binding, In addition to such long-running models as the Les Paul Standard, Studio and Custom, Epiphone has also released various artist signature and limited edition Les Paul models over the years. These usually offer artist-endorsed combinations of features and cosmetics, or custom improvements and appearance upgrades that are not normally found on the standard models.
Roland G-303 Guitar Synthesizer Controller
Chevron B19 B Chevron Records: Tondelli bought six cars during the course of and it has not yet been possible to determine which car went to which owner. For more on this, see the Tondelli cars below. Chassis has been owned by Gualtiero Giribaldi Monaco since Further details to follow.
The single-cutaway designs were discontinued at the end of , replaced by the sharp-pointed double-cutaway Les Paul SG Standard, Les Paul SG Junior, Les Paul SG TV, Les Paul SG Special, and Les Paul SG Custom, all of which were made from late to
Serial numbers conflict and can be more of a hindrance than a help. Finding the guitar’s true age can be like something out of “CSI,” where you figure out a date based on a variety of forensic evidence–not just a serial number. Serial Numbers Look for an ink stamp. The serial number on Gibson Les Paul guitars is located on the back of the headstock. The earliest Les Pauls made in may lack serial numbers. Beginning in , a three-digit serial number was stamped on the top.
Later in the year, and continuing through , Gibson stamped a five- or six-digit number in ink on the back of the headstock. The first digit is the year of manufacture; the remaining digits are the production number. You may also find a second number on the headstock backs of pre guitars. The FON consists of a letter, which corresponds to a year, and then a four-digit number followed by a one- or two-digit number.
These can help narrow down the year of manufacture but not much else, as they were assigned at the beginning of a production run. Find the “brand” if the ink stamp is missing. From to , Gibson used serial numbers that were stamped into the wood, not inked on. These numbers don’t real follow a pattern.
All numbers were impressed into the wood and a six digit number assigned, though no particular order was given and some instruments had a letter prefix. The orange labels inside hollow bodied instruments was discontinued in and were replaced by white and orange rectangle labels on the acoustics, and small black, purple and white rectangle labels were placed on electric models. A few bolt on neck instruments had a date ink stamped on the heel area.
In , Gibson first introduced the serialization method that is in practice today.
Colorado’s premier retailer of quality electric guitars and acoustic guitars. We proudly provide a huge range of Fender, Fender Custom Shop, Gibson, Taylor Acoustic, & more.
Posted 16 October – I have a beautiful Ltd. Black with on the pickguard. A pic can be found at: The serial number is printed on the rear of the head stock and then covered by a nitrocellulose coat without a “made in usa” on the head stock at all. I was told that all the classics manufactured during the s were actually unchambered Traditionals and Standards, left over from earlier years with plain rather than flamed tops, that had been overstocked and unsold as Standards or Traditionals due to the plain tops.
They also said that the only difference between the Classics, Standards and Traditionals from the ’90’s to ’98, were the ‘s thin neck and the pickups.